The cartoon opens with a newspaper headline announcing Popeye as a movie star, reflecting the transition into film. One source of inspiration for the Fleischers were newspapers and comic strips, and they saw potential in Popeye as an animated star, thinking the humor would translate well onscreen. Popeye the Sailor, created by E.C.

The villain clobbers Popeye until he eats spinach, giving him superhuman strength. In November 1932, King Features signed an agreement with Fleischer Studios, run by producer Max Fleischer and his brother, director Dave Fleischer, to have Popeye and the other Thimble Theatre characters begin appearing in a series of animated cartoons. By the 1970s, the original Fleischer and Famous Popeye cartoons were syndicated to various stations and channels across the globe. 1. Cartoon music historian Daniel Goldmark writes that Popeye is one of few cartoon characters of the time to have a theme: Disney/Warner Bros. composer Carl Stalling and MGM's Scott Bradley disliked themes and phased them out quickly. The Popeye series, like other cartoons produced by the Fleischers, had an urban feel (the Fleischers operated in New York, specifically on Broadway a few blocks from Times Square), its manageable variations on a simple theme (Popeye loses Olive to bully Bluto and must eat his spinach and defeat him), and the characters' "under-the-breath" mutterings. The triangle between Popeye, Olive and Bluto was set up from the beginning and soon became the template for most Popeye productions that would follow. Popeye the Sailor Man Original Theme - Billy Costello. [20], Articles related to the "Popeye the Sailor" film series, Popeye Volume 3 DVD documentary, released by Warner Brothers in 2008, Popeye the Sailor Meets Sindbad the Sailor, Popeye the Sailor Meets Ali Baba's Forty Thieves, Popeye the Sailor filmography (Fleischer Studios), Popeye the Sailor filmography (Famous Studios), "WarnerBros.com | "Popeye" Comes to DVD From Warner Home Video | Press Releases", "GAC Forums – Popeye's Popularity – Article from 1935", "Cartoons Then and Now: Jerry Beck talks Woody, Popeye and More! These cartoons were seven B&W 1930s and 1940s cartoons, 24 Famous Studios cartoons from the 1950s (many of which fell to the public domain after the MGM/UA merger), and all three Popeye color specials (although some copyrighted Popeye cartoons turned up on public domain VHS tapes and DVDs). With the onset of World War II, the music in Popeye became more lush, fully orchestrated and patriotic. King was not sure what effect the cartoons would have on the strip; if the effect was very negative, King was very eager to erase any memory of the cartoons by destroying them. Throughout the years, there have been many bootleg VHS cassettes and DVDs featuring public domain Popeye cartoons, where the copyright had lapsed.

& M. TV Corporation acquired the majority of all theatrical shorts. [3] I Yam What I Yam became the first entry in the regular Popeye the Sailor series. Play on Spotify. In 1955, Paramount put their cartoon and shorts library up for television sale.

Billy Costello - I'm Pop-eye the sailor man 78 rpm - YouTube Most used a.a.p. Featured on 80 Songs for Kids of All Ages Remembering Children's ... (From "Popeye") The Big Broadcast, Volume 8: Jazz and Popular Music of the 1920s and 1930s. Billy Costello (actor) William Arnold Costello (February 2, 1898 – October 9, 1971), commonly known as " Red Pepper Sam ," was an American live and voice actor, and the original voice of Popeye the Sailor in animated cartoons.

Popeye's signature theme song was composed by Sammy Lerner and premiered in the first Popeye cartoon in 1933. Popeye becomes an ordinary, downtrodden, Naval seaman in the wartime entries, usually getting the blame for mishaps. In 2001, the Cartoon Network, under the supervision of animation historian Jerry Beck, created a new incarnation of The Popeye Show. logo which replaces the original Paramount one. Jerry Beck likens Popeye's television success to a "new lease on life," noting that the character had not been as popular since the 1930s. 1, but the release was canceled after MGM/UA received a cease and desist letter from King Features Syndicate, which claimed that they only had the legal rights to release the collection on video. In 1934, a statistic was released noting that spinach sales had increased 33% since the creation of the Popeye cartoons. Restoration timelines caused WB to re-imagine the Popeye DVD sets as a series of two-disc sets. [13] King Features realized the potential for success and began distributing Popeye-based merchandise, which in turn led to new Popeye TV productions. Popeye's theme song itself has a similarity to two lines of the tune \"Oh, Better Far to Live and Die\", sung by the Pirate King and chorus in Act I of Gilbert and Sullivan's operetta \"The Pirates of Penzance\" \"For I am a Pirate King\"! After Kirk Kerkorian took back the company some months later, Turner retained the film catalog, giving him the rights to the theatrical Popeye library. The 1930s Popeye cartoons have been said by historians to have an urban feel, with the Fleischers pioneering an East Coast animation scene that differed highly from their counterparts. The Fleischers moved their studio to Miami, Florida in September 1938 in order to weaken union control and take advantage of tax breaks. Eventually, the Fleischers paired Popeye and spinach together far more than Segar ever did. His regular costume was changed from the dark blue shirt, red neckerchief and light blue jeans he wore in the original comics to an official white Navy sailor uniform, which he retained until the 1970s. For a 10-cent membership fee, club members were given a Popeye kazoo, a membership card, the chance to become elected as the Club's "Popeye" or "Olive Oyl," and the opportunity to win other gifts. Goldmark divides the Popeye theme into two parts: the sailor horn pipe and the lyrical portion. Popeye the Sailor: 1933–1938, Volume 1, a four-disc collector’s edition DVD, contains the first 60 Fleischer Popeye cartoons, including the color specials Popeye the Sailor Meets Sindbad the Sailor and Popeye the Sailor Meets Ali Baba's Forty Thieves. William "Billy" Costello, Jack Mercer as Popeye the Sailor (substitutes: Floyd Buckley, ... "I Yam What I Yam" was used as the theme song for further cartoons. By the mid-50s, budgets at the studio became tight and staff downsized, while still producing the same number of cartoons per year. Paramount had begun moving the studio back to New York that January, and Mae Questel reassumed voice duties for Olive Oyl. Over time, the Technicolor Famous shorts began to adhere even closer to the standard Popeye formula, and softened, rounder character designs – including an Olive Oyl design which gave the character high heels and an updated hairstyle – were evident by late 1946. Thus empowered, Popeye the sailor makes short work of the villain. )\" The tune behind those two lines is similar to the \"Popeye\" song, except for the high note on the first \"King\". [14] Over 1,000 people signed an online petition asking WB and King Features to release the theatrical Popeye cartoons on DVDs. For many decades, viewers could only see a majority of the classic Popeye cartoons with altered opening and closing credits. [10] Paramount fired the Fleischers and began reorganizing the studio, which they renamed Famous Studios.

"[3] Being located on Broadway, the Fleischers were well placed for popular music developments in the 1930s. Every other frame was traced, changing the animation from being "on ones" (24 frame/s) to being "on twos" (12 frame/s), and softening the pace of the films. The theatrical Popeye cartoons began airing on television in an altered form in 1956, at which point the Popeye theatrical series was discontinued in 1957. United Artists had television rights, but King Features disputed whether that included home video distribution. However, King Features put a high asking price on the Popeye cartoons.


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