It's not mere 'Satan' that takes over Adjani's body - it's evil itself, albeit defined in purely secular terms. In 2012, he has been named the Critic of the Year by the Polish Film Institute. With Leo Tolstoy's "Anna Karenina" as an alleged source of additional inspiration, Żuławski and his co-screenwriter Frederic Tuten put together a viscerally acute portrayal of male jealousy and rage, which includes a double set of not-to-be-revealed doppelgängers and is ultimately about the perils of personal freedom taken to its extreme. Chilly West Berlin opening from director Andrzej Zulawski, introducing Sam Neill as Marc, Isabelle Adjani as wife Helen, Michael Hogben their son improbably called "Bob," in the melodrama-horror hybrid Possession, 1981. possession (andrzej zulawski, 1981) Saturday, September 19, 2020. View the TCMDb entry for Possession (1981) Where Suspicions of infidelity soon give way to something much more sinister. Related Pages: External video clips and trailers.

1981 - Possession (Trailer USA) Trailer • 1:58 • October 16, 2008. tommy blackburn. Even if "Possession" was once described as "a movie about a woman who fucks an octopus", there's no mistaking the fact that deep inside, Żuławski's cinema is all about searching for grace.

With Isabelle Adjani, Sam Neill, Margit Carstensen, Heinz Bennent. Żuławski boldly literalizes the trite 'beauty and the beast' premise when Mark finally witnesses his ultimate trauma, peeking at his wife having sex with the creature - her limbs all mixed up with its tentacles. Possession ≣ 1981 ≣ Trailer Trailer • 2:35 • October 21, 2019

And then, perhaps I was expecting too much from, Site design © 2007 - 2020 Horror Extreme. Featuring what is arguably the bravest female performance ever put on film - namely, Isabelle Adjani's Cannes-winning turn of shamanistic intensity - the film dares its viewer to enter a trance-like state, in which genres blur and mate to yield a new level of cinematic expression. Posted on 24 April 2013 by Hellbound Heart. A woman starts exhibiting increasingly disturbing behavior after asking her husband for a divorce. Photo Gallery. Michał Oleszczyk is a film critic and scholar based in Poland. Possession(1981) sex scene | 73Q Music Videos | Vote On Clips | Submit | Login | Random - Hot Videos - Rated: 7 Days | 30 Days | All Time - Favorited: 7 Days | 30 Days | All Time - Viewed: 7 Days | 30 Days | All Time. "Maybe all couples go through this...?

It's all like a fast-forwarded Ingmar Bergman film on bad acid; "Scenes from a Marriage" as played in a home-made abattoir. Judging from the above, "Possession" is not exactly the kind of movie you'd expect to have been inspired by real-life events - and yet that's exactly the case. The Extra-Terrestrial"). To call it overwrought would be an understatement. And then, perhaps I was expecting … In that alone, he's a deeply romantic director: a passionate explorer of what's most self-destructive about us. If one would try looking for comparisons that best describe Żuławski's sensibility, it would probably be wisest to position him mid-way between Brian DePalma and Ingmar Bergman. The movie enters its second, violently surreal act, when we learn of the true nature of Anna's extra-marital tryst: she regularly visits a dilapidated apartment, inhabited by a blood- and sex-starved monster, whom she both nurtures and couples with. Contrary to William Friedkin's "The Exorcist" (1973), which relied on (often brilliantly used) horror-genre gimmickry, "Possession" is pervaded by a genuine sense of casual dread and sadness. Sam Neill (1) Isabelle Adjani (1) Heinz Bennent (1) Margit Carstensen (1) Refine By Payment Model.

", she wonders in their early, perfectly civil nighttime conversation, right before things go really crazy. For Your Eyes Only. And yet, one feels him strive for an elation that would prove redemptive enough to help us carry on despite our deeply divisive desires. In a possession film, a body becomes a marionette. Shot on location in divided Berlin, the movie makes a great, conspicuous use of wide-angle deep-focus photography, which renders each interior eerily compressed and all exteriors airy and ominous at the same time. Not exactly a cinematic shrinking violet, Żuławski casually punctuates one of the couple's shouting matches by throwing an unrelated car crash into the shot, just for added emphasis. For all his love of cine-hyperbole, which often makes his movies feel like mere strings of 'grand' sequences, Żuławski doesn't share DePalma's slickness - or his heartlessness, for that matter. Żuławski wrote the script after his marriage to Małgorzata Braunek (the Polish star of his first two movies) hit the rocks and it was left to him to take care of their son Xawery (nowadays a celebrated director in his own right). Art house cinema and me, we have an odd relationship. 1 Video Sort by Possession (1981) 1 Video See also. On occasion I can happily see beyond the stylistic tics and spasms which usually free the film of its could-be cogent plot, and I can handle the overblown emotion and the way in which it's examined. Possession (1981) Video Gallery. "Possession" opens with the end of a marriage: Anna (Isabelle Adjani) tells Mark (Sam Neill) she needs to leave him, even though she doesn't understand why. In a notoriously graphic scene of Adjani's hyperactive convulsions in the Berlin subway, Anna gives birth to something even the director hesitated to define - and yet it's that something that causes the world's fracture in the film. Possession (1981) She created a monster as her secret lover! Desperate Marc (Sam Neill) trying to interrogate straying wife Anna (Isabelle Adjani) who's fooling with kitchen tools, reminders that this is also a horror film, in director Andrzej Zulawski's Possession, 1981. Very soon, rows begin and quickly get physical - they involve mutual battering around as well as garish self-mutilation. (The monster's design is courtesy of the great Carlo Rambaldi, who concocted it exactly one year before presenting the world with its ultimate cuddly friend, "E.T. Bonded and Unbound: Sean Connery, 1930-2020, Disney+'s The Mandalorian Makes a Valiant Return in Season Two Opener, Amazon's Truth Seekers is Missing Jokes and Scares. Additional photography courtesy of, Possession (Uncut) (1981) [ NON-USA FORMAT, PAL, Reg.2 Import - United Kingdom ], Noriko's Dinner Table (Noriko no shokutaku), Extreme Video Nasties: Movies 6 to 10 - Cannibals, The Trash Humpers Horror Show – E002 – Midgets, The Trash Humpers Horror Show - E001 - A Horrible Christmas in February. Possession (1981) -- (Movie Clip) It Doesn't Hurt Desperate Marc (Sam Neill) trying to interrogate straying wife Anna (Isabelle Adjani) who's fooling with kitchen tools, reminders that this is also a horror film, in director Andrzej Zulawski's Possession, 1981. Art house cinema and me, we have an odd relationship. Directed by Andrzej Zulawski. As Anna becomes unhinged, sneaking off to an unseen lover and professing her newly-found independence in a variety of violent ways, Mark's reduced to mumbling "ma-ma-ma" over the phone, before curling up in a fetus-like position on his bed. View the TCMDb entry for Possession (1981) Andrzej Żuławski's 1981 masterpiece, butchered upon its original American release and relegated to spurious video-nasty circulation, is now returning in all its hysterical glory, as a part of Brooklyn's BAMcinématek complete Żuławski retro, which will then move to Cinefamily in Los Angeles. Trailer (1) Refine By Provider. "Possession"'s first image is that of Berlin wall itself, and Mark and Anna's place overlooks one of the wall's outposts, with the communist eastern part of the city looming in the background as a reminder of a violated, enslaved reality that the film's Polish director knew all too well (having been kicked out of his country twice). Andrzej Żuławski's 1981 masterpiece, butchered upon its original American release and relegated to spurious video-nasty circulation, is now returning in all its hysterical glory, as a part of Brooklyn's BAMcinématek complete Żuławski retro, which will then move to Cinefamily in Los Angeles. Screenplay (1) Refine By Top Names. Instead of reducing his cinema to formal pyrotechnics, Żuławski remains deeply engaged with the secrets of the human soul, which he perceives as being forever torn apart by violent contradictions. Possession(1981) sex scene: Desc: NSFW, Rosemary's Baby kind of thing happening here. What's more, many shots of the main couple are organized so that the growing division between them is mirrored by dual composition, with Mark and Anna reigning over separate halves of the frame. MISUSE OF DRUGS ACT 1981 - SECT 6 6. To call it overwrought would be an understatement. Possession (1981) -- (Movie Clip) It Doesn't Hurt. Refine By Type. On occasion I can happily see beyond the stylistic tics and spasms which usually free the film of its could-be cogent plot, and I can handle the overblown emotion and the way in which it's examined.

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