“Nearly all his good looks are gone,” Isherwood wrote. Taylor opened his mouth, put her hand down his throat, and pulled out the teeth. His decline was never explicitly evoked, but with his visage in Raintree County, it was there for all to see. You are only allowed to leave one flower per day for any given memorial.

His apartment, which he rented for 10 dollars a month, was described by friends as “beat up” and by him as “terrific.” He survived on two meals a day, mostly combinations of steak, eggs, and orange juice, and he eschewed nightclubs, instead spending his spare time reading Chekov, classic works of history and economics, and Aristotle, whom he praised for his belief in happiness, or the “gentle art of the soul.” When he wasn’t reading or exhausting himself in preparation for a part, he liked to go to the local night court and attend high-profile court cases just to watch the humanity on display. (He’d be nominated twice more over the next five years for “A Place in the Sun” and “From Here to Eternity,” which reunited him with director Zinnemann). Unlike his two siblings, Monty always struggled in school, but found his calling in the theater at an early age. Vanity Fair may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. Edit a memorial you manage or suggest changes to the memorial manager. As for Clift, the shoot was incredibly taxing, both mentally and physically: in addition to acquiring a scar across his nose from a stray bull’s horn, severe rope burns while attempting to tame a wild horse, and various other rough-and-tumble injuries, he also performed what has widely come to be regarded as one of his best scenes, a stilted, heartbreaking conversation with his mother from a phone booth. Burt Lancaster, an even bigger star who got first billing on “Eternity,” was so nervous to play his first scene with Monty that he was literally shaking. To add a flower, click the “Leave a Flower” button. We have set your language to If you notice a problem with the translation, please send a message to feedback@findagrave.com and include a link to the page and details about the problem. ×

When he came to visit storied fan-magazine author Elsa Maxwell at her home, she had her maid darn the elbow in his jacket. Share this memorial using social media sites or email. He resolved not to sign any studio contracts before performing in at least two films and (hopefully) earning a degree of success.

cocksucker, isn’t he, Tallulah?” Miss Bankhead said: “Well, He was such a mess on the set of Freud (1962) that Universal sued him. Clift was so protective of Holman that when offered the plum role of the male lead in Sunset Boulevard, he turned it down—reportedly to avoid any suggestion that Libby Holman was his own delusional Norma Desmond, using a handsome young man to pursue her lost stardom. Just look at the fan magazine titles: “Making Love the Clift Way,” “Two Loves Has Monty,” “Montgomery Clift’s Tragic Love Story,” “Is It True What They Say About Monty?” “Who Is Monty Kidding?” “He’s Travelin’ Light,” “The Lurid Love Life of Montgomery Clift,” and, perhaps most flagrantly, “Monty Clift: Woman Hater or Free Soul?”. notifications about what to watch. © 2020 Condé Nast. Clift earned best-actor Oscar nominations for 1951’s A Place in the Sun and 1953’s From Here to Eternity; both times he lost to older actors (Humphrey Bogart and William Holden, respectively), and established his reputation, alongside Marlon Brando and James Dean, as a young outsider whose talent intimidated Hollywood. Born in Omaha, Nebraska, just after his twin sister Roberta, to a banking family, his mother, Ethel, had been born out of wedlock, and she determined that the children would grow up knowing their true southern aristocratic heritage. Thanks for your help! Production resumed on Raintree County, which the studio feared would fail following Clift’s accident. But for 12 years, he set Hollywood aflame. The long suicide was complete. Led by film advocate John Farr, the Best Movies by Farr team works as a “quality filter” for the discerning moviegoer. Benign to most but, in hindsight, highly suggestive. To revisit this article, select My⁠ ⁠Account, then View saved stories. He had a few very close friends, including Elizabeth Taylor, with whom he starred in “A Place in the Sun.” She adored him and worried about him, with good reason. But after an initial flurry of coverage, he retreated from public view entirely. Still, his raw talent never left him, and that same year Clift would earn his fourth and final Oscar nomination (this one for Supporting Actor) playing a mentally disabled man sterilized by the Nazis in “Judgment at Nuremberg.” Though Monty’s difficulty in remembering lines by this point forced director Stanley Kramer to let him improvise, the resulting scene is one of the most affecting in the whole film. Also an additional 2 volunteers within fifty miles. Plese check the I'm not a robot checkbox.'. What happened next is somewhat fuzzy: one version has Hudson pulling Clift from the car and Taylor cradling him in her arms, at which point Clift started choking and motioning to his throat, where, it soon became clear, two of his teeth had lodged themselves after coming loose during the accident. In The Young Lions (1958), released just two years after the accident, the pain and resentment seem almost visible. Elizabeth Taylor rescued her friend once again by demanding he co-star in her upcoming film, “Reflections in a Golden Eye.” But before production could begin, Clift died in New York City of a massive heart attack in July, 1966. The revelation of his sexuality did not emerge until the 70s, when two high-profile biographers, one endorsed by his close confidants, revealed as much, rendering him a gay icon within the span of two years.
Other testimonies to Clift’s gayness abound: early in his film career, he had purportedly been warned that being gay would ruin him; he was so conscious of being seen as feminine or fey in any way that when he ad-libbed a line in The Search, calling a boy “dear,” he insisted that director Fred Zinnemann reshoot the take. I do not count myself as a member of the ripped-sweatshirt fraternity.” He wasn’t a “young rebel, an old rebel, a tired rebel, or a rebellious rebel”—all he cared about was re-creating a “slice of life” on the screen. He insisted on maintaining his residence in New York, spending as little time in Hollywood as possible. Select a place on the map to place the pin. Monty always knew how to make an entrance. But that didn’t mean that the gossip press didn’t hint at something different, something queer, in the broadest sense of the word, about him.

So Monty’s second film- Fred Zinnemann’s “The Search” (1948) actually came out first.

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